Performance Intensive

APRE Performance Intensive 2025
28th Oct.- 1st Nov. 2025
A Five-Day Performance Intensive by APRE Art House.
Corpus is an immersive, durational programme that explores the body as archive, language, and resistance. Through movement labs, critical lectures, and embodied experimentation, artists engage with themes of presence, memory, endurance, and erasure. Grounded in performance theory and contemporary political discourse, Corpus fosters rigorous, body-led inquiry within a curated, transdisciplinary context.
Through a sequence of movement, endurance, and performative exercises, participants engage with the body’s capacities as both medium and archive. The programme interrogates inherited structures, decolonial frameworks, and the evolving landscape of performance, while positioning practice within both local and global contexts. By integrating embodied investigation with conceptual and ethical reflection, Corpus cultivates a sophisticated understanding of performance as an artistic, political, and social practice.
Participants emerge from the intensive with strategies to critically engage, document, and transmit performance, equipped to advance experimental practice and scholarly discourse within the contemporary arts. Corpus embodies APRE Art House’s commitment to nurturing a new generation of practitioners who approach performance with intellectual rigor, ethical awareness, and transformative vision.
This initiative is not commercially motivated; APRE Art House does not seek to generate profit through the program. APRE Art House is committed to fostering access, equity, and excellence in performance-based learning. To ensure that financial circumstances do not inhibit participation, Corpus offers a limited number of need-based scholarships to selected participants.

Movement Labs:
Led by Gia Singh Arora, Pragati Dalvi Jain & Vidushi Chadha.
Lectures & Conversations:
Job Piston, Billy Zhao, Paula Garcia, Sudarshan Shetty, farid rakun, Nayara Leite, Anette Friedrich Johannessen, Mia Øquist, Rita Marhaug, Rebecca Schneider, Mary Osborn, Leela Gandhi, Diana Taylor, Dr. Bojana Kunst, Georgina Maddox, Jennie Klein, Khandaker Tanvir Murad, Bharati Kapadia and Urvi Chedda, amongst others.
Link to Biographies
Institutional Speaker Partners
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ruangrupa (Jakarta)
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Live Arts Development Agency (London)
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Performance Art Bergen (Norway)
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Pathshala South Asian Media Institute (Bangladesh)

Modules:
Grounding the Body: Origins, Sensations, and Decolonial Frameworks
Disrupting Form: Structures, Errancies, and Endurance
Time and Care: Politics of Presence and Collective Agency
Cartographies of the Body: Experimentation, Documentation, and the Afterlife of Performance
Futures of Presence: Radical Corporalities, Technology, and Public Exchange
Open Public Presentation at the Gallery
Application Process
Please submit the following materials to submissions@aprearthouse.com with the subject line: Corpus Application 2025.
- Statement of Intent: A concise articulation of what you seek to contribute to and gain from the program.
- Curriculum Vitae (2 pages maximum)
- Portfolio
Programme Fee (upon selection):
INR 12,000 (with a limited number of scholarships available)
Cohort Size: 12 participants
Duration: Five consecutive days | 10:00 AM – 9:00 PM
Detailed Schedule: Available Upon Request

Our Commitment to Inclusivity
At APRE Art House, inclusivity is a practice of care and responsibility. We strive to create a space that welcomes participants of all genders, sexualities, abilities, socioeconomic backgrounds, and cultural identities, and resists structural barriers to participation.
We offer scholarships, access support, and flexible modes of engagement. Rooted in sensitivity and consent, the programme is designed to be safe and respectful for all participants.
Inclusivity, for us, is an ongoing process of listening, learning, and adapting to create a more generous and equitable arts ecology.
Corpus Scholarship Structure
APRE Art House is committed to fostering access, equity, and excellence in performance-based learning. To ensure that financial circumstances do not inhibit participation, Corpus offers a limited number of need-based scholarships to selected participants.
These scholarships may either partially or fully subsidize the programme fee and are awarded to individuals who demonstrate both exceptional potential and clear financial need. While the admissions process remains merit-driven, we are acutely aware of the systemic barriers that may shape access to embodied and curatorial education.
Applicants who wish to be considered for a scholarship should indicate this clearly in their Statement of Intent and include a short note (approx. 150 words) describing their financial situation. No additional documentation is required at the time of application.
We particularly welcome scholarship applications from independent practitioners, underrepresented communities, and those operating outside formal institutions.
Accessibility Note
At APRE Art House, we are committed to cultivating an inclusive and considerate environment for all participants of Corpus: Performance Intensive. While the programme is conducted in English, we encourage participants to inform us in advance if they require language support.
Please note that the gallery is accessible only via a staircase. If you have particular access needs or would like to explore alternative forms of engagement, kindly reach out to us at info@aprearthouse.com. We will make every effort to accommodate individual requirements and to ensure that your experience with Corpus is both meaningful and supportive.
About The Institutions:
ruangrupa: ruangrupa is a Jakarta-based collective established in 2000. It is a non-profit organization that strives to support the idea of art within urban and cultural context by involving artists and other disciplines such as social sciences, politics, technol- ogy, media, etc, to give critical observation and views towards Indonesian urban contemporary issues. ruangrupa also produce collaborative works in the form of art projects such as exhibition, festival, art lab, workshop, research, as well as book, magazine and online-journal publication.
As an artists’ collective, ruangrupa has been involved in many collaborative and exchange projects, including participating in big exhibitions such as Gwangju Biennale (2002 & 2018), Istanbul Biennial (2005), Asia Pacific Triennial of Contemporary Art (Brisbane, 2012), Singapore Biennale (2011), São Paulo Biennial (2014), Aichi Triennale (Nagoya, 2016) and Cosmopolis at Centre Pompidou (Paris, 2017). In 2016, ruangrupa curated TRANSaction: Sonsbeek 2016 in Arnhem, NL.
From 2015-18, ruangrupa co-developed a cultural platform Gudang Sarinah Ekosistem together with several artists’ collectives in Jakarta, located at Gudang Sarinah warehouse, Pancoran, South Jakarta. It is a cross-disciplinary space that aims to maintain, cultivate and establish an integrated support system for creative talents, diverse communities, and various institutions. It also aspires to be able to make connections and collaborate, to share knowledge and ideas, as well as to encourage critical thinking, creativity, and innovations. The results of these joint collaborations are open for public access—and presented with various exhibitions, festivals, workshops, discussions, film screenings, music concerts, and publications of journals.
In 2018, learning from their experience establishing Gudang Sarinah Ekosistem and together with Serrum and Grafis Huru Hara, ruangrupa co-initiated GUDSKUL: contemporary art collective and ecosystem studies (or Gudskul, in short, pronounced similarly like “good school” in English). It is a public learning space established to practice an expanded understanding of collective values, such as equality, sharing, solidarity, friendship and togetherness.
Live Art Development Agency (LADA): We are a London-based charitable organisation, dedicated to the development of Live Art research, practice and infrastructure.
Founded in 1999, the Live Art Development Agency (LADA) operates from East London and works locally, nationally and internationally. We are the home of the Study Room research collection, Live Art Bookshop, and co-ordinators of Live Art UK.
In 2024, Mary Osborn was appointed Director. Mary brings a fresh vision for LADA and for live artists and thinkers.
Performance Art Bergen: Performance Art Bergen (PAB) is a Norway-based organisation committed to strengthening and making performance art visible locally, nationally and internationally. The organisation has for the last 14 years arranged 10 to 20 events per year with academic forums, workshops, open sessions, festivals and international exchanges with artists who work with
performance art. PAB was founded in 2011 by performance artists Kurt Johannessen,
Agnes Nedregård, Karen Kipphoff, Rita Marhaug, Benedicte Leinan Clementsen and Robert
Alda, and producer Marianne Rønning.
https://www.performanceartbergen.no
@performanceartbergen
Pathshala South Asian Media Institute (Bangladesh): The name Pathshala comes from the ancient education system that prevailed in South Asia. It brings to mind classes held underneath a lofty tree, conjuring up learning spaces without walls, open skies and unending horizons. Pathshala not only allows students to explore the world of visual storytelling but gives them the knowledge and opportunity to question beyond the confines of discipline, and the scope to think outside the box. The conceptual absence of a classroom enables students not only to attend the same classes, but also to work together on collaborative projects together with the visiting faculty. This enhances and complements each student's learning experience on both theoretical and practical levels.